MODERN RETELLINGS OF ANCIENT MYTHS: A COMPARATIVE ANALYSIS OF FILMS GLADIATOR (2000) AND GLADIATOR 2 (2024)
Abstract
Ridley Scott's Gladiator (2000) is a cinematic masterpiece that has captivated audiences worldwide. The film, which takes place in ancient Rome, narrates the tale of Maximus, a gallant Roman general who is deceived and made into a gladiator. The film's epic scale, stunning visuals, and compelling performances have solidified its place in cinematic history. The upcoming Gladiator 2 (2024) promises to continue the legacy of its predecessor. This comparative analysis delves into the mythological significance of both films, examining their respective hero's journeys, visual styles and historical accuracy. The hero's journey, a common narrative structure found in mythology and literature, involves a protagonist who embarks on a quest, faces trials and tribulations, and ultimately achieves a significant transformation. In Gladiator, Maximus's journey mirrors the classic hero's journey, as he descends into the underworld of the gladiator arena and rises to become a symbol of hope and rebellion. A comparison of the two films' visual styles and cinematography is a crucial component of this examination. The original Gladiator is renowned for its gritty realism and epic battle sequences. The 2024 sequel is likely to build upon this legacy, utilizing advanced visual effects and innovative storytelling techniques. Through a mythological criticism lens, both films can be interpreted as modern retellings of ancient myths. Maximus, for example, can be seen as a contemporary incarnation of the heroic figure of Achilles. Comparative analysis, plot points, character arcs and visual style, are employed to identify similarities and differences between the two films. The findings of this study provide valuable insights into the evolution of historical fiction and the enduring appeal of epic storytelling.