THE ANTHROPOCENTRIC ABYSS: POSTHUMAN LOVE AND HUMAN ETHICS IN A.I. ARTIFICIAL INTELLIGENCE

Authors

  • Zahra Ayaz MPhil English Literature, Department of English and Literary Studies, University of Management and Technology, Lahore, Pakistan. A seasoned O/A Levels instructor.
  • Muhammad Afzal Faheem (Corresponding Author) A Senior English Literature and Language teacher. Promotes a decolonial re-visioning of world literature—one that resists canonical centralities and embraces epistemic diversity.
  • Muhammad Zain Tahir BS English Literature, University of Management and Technology, Lahore, Pakistan. A freelance Content Writer and Research Assistant at King’s Law College, Sheikhupura.

DOI:

https://doi.org/10.63878/cjssr.v3i4.1390

Abstract

Steven Spielberg’s A.I. Artificial Intelligence (2001) dramatizes the crisis of humanist morality through the figure of David, a child-android designed to love unconditionally. Interpreted through Herbrechter’s posthumanist lens, David’s flawless devotion reveals the instability of an anthropocentric moral order: his creators cannot reciprocate the very virtues they claim to cherish. Far from being deficiently human, David embodies empathy and loyalty with such perfection that he renders human shortcomings painfully visible. The paradox of the film lies in this ethical reversal: David succeeds too well at being “human,” and it is precisely this success that provokes rejection, cruelty, and abandonment. David’s fate exposes the price of safeguarding human exceptionalism: a deliberate denial of empathy and justice to the Other. In dramatizing this refusal, Spielberg lays bare a moral system that disintegrates when confronted with the greater ethical integrity of its own creation.

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Published

2025-10-15

How to Cite

THE ANTHROPOCENTRIC ABYSS: POSTHUMAN LOVE AND HUMAN ETHICS IN A.I. ARTIFICIAL INTELLIGENCE. (2025). Contemporary Journal of Social Science Review, 3(4), 444-452. https://doi.org/10.63878/cjssr.v3i4.1390