STYLISTIC ANALYSIS OF PAKISTANI DRAMA SERIAL SANG E MAH, A PAKISTANI ADAPTATION OF HAMLET

Abstract

This study presents a stylistic analysis of the Pakistani television drama serial Sang-e-Mah, focusing on its portrayal of revenge within a culturally rich and emotionally intense narrative framework. The drama, inspired by Shakespeare’s Hamlet, reimagines the classic tale in a contemporary Pashtun tribal setting, using a blend of linguistic, visual, and thematic stylistic devices. Through the use of poetic Urdu dialogues, symbolic imagery, and intertextual references, Sang-e-Mah explores themes of honor, guilt, identity, and justice. The analysis highlights how stylistic elements such as monologues, metaphors, and culturally specific expressions contribute to character development and emotional depth, particularly in the protagonist Hilmand’s psychological journey. Additionally, the study examines the role of gender and tradition, especially through the critique of social practices like ghag (forced engagement). By combining traditional narrative structures with modern stylistic techniques, Sang-e-Mah not only localizes a universal story of revenge but also raises critical questions about morality, patriarchy, and cultural transformation in Pakistani society.